In those days, you could get close. Very close. That’s how Rowland Scherman worked. With his hand-held Leica, he shot Mississippi John Hurt strumming a guitar on a rickety bed, Robert F. Kennedy strategizing with campaign advisers, and Bob Dylan at the 1963 Newport Folk Festival. “I was so close, I could have said, ‘Bob, … Continue reading Rowland Scherman gets another shot at fame – The Boston Globe